#407: Versers Integrate

This is mark Joseph “young” blog entry #407, on the subject of Versers Integrate.

With permission of Valdron Inc I have previously completed publishing my first six novels, Verse Three, Chapter One:  The First Multiverser Novel, Old Verses New, For Better or Verse, Spy Verses, Garden of Versers, and Versers Versus Versers, in serialized form on the web (those links will take you to the table of contents for each book).  Along with each book there was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; those posts are indexed with the chapters in the tables of contents pages.  Now as I am posting the seventh, Re Verse All,  I am again offering a set of “behind the writings” insights.  This “behind the writings” look may contain spoilers because it sometimes talks about my expectations for the futures of the characters and stories–although it sometimes raises ideas that were never pursued, as being written partially concurrently with the story it sometimes discusses where I thought it was headed.  You might want to read the referenced chapters before reading this look at them.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

There is also a section of the site, Multiverser Novel Support Pages, in which I have begun to place materials related to the novels beginning with character papers for the major characters, giving them at different stages as they move through the books.

This is the twenty-fourth mark Joseph “young” web log post covering this book, covering chapters 139 through 144.  It was suggested that more shorter posts were a better choice than fewer longer ones, so there will be posts every six chapters, that is, every other week, for this book.  Previous entries were:

  1. #354:  Versers Reorienting, covering chapters 1 through 6;
  2. #355:  Versers Resettling, for chapters 7 through 12.
  3. #357:  Characters Connect, for chapters 13 through 18.
  4. #359:  Characters Engage, for chapters 19 through 24.
  5. #361:  Characters Explore, for chapters 25 through 30.
  6. #364:  Characters Learn, for chapters 31 through 36.
  7. #365:  Characters Travel, for chapters 37 through 42.
  8. #367:  Versers Encounter, for chapters 43 through 48.
  9. #370:  Characters Confront, for chapters 49 through 54.
  10. #373:  Nervous Characters, for chapters 55 through 60.
  11. #376:  Characters Arrive, for chapters 61 through 66.
  12. #379:  Character Conundrums, for chapters 67 through 72.
  13. #381:  World Complications, for chapters 73 through 78.
  14. #383:  Character Departures, for chapters 79 through 84.
  15. #385:  Characters Ascend, for chapters 85 through 90.
  16. #388:  Versers Climb, for chapters 91 through 96.
  17. #390:  World Facilities, for chapters 97 through 102.
  18. #392:  Characters Resting, for chapters 103 through 108.
  19. #395:  Character Obstacles, for chapters 109 through 114.
  20. #397:  Verser Challenges, for chapters 115 through 120.
  21. #401:  Characters Hiking, for chapters 121 through 126.
  22. #403:  Versers Innovating, for chapters 127 through 132.
  23. #405:  Versers Converge, for chapters 133 through 138.

History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in earlier posts, and won’t be repeated here.

Chapter 139, Hastings 227

I had debated on what level Lauren and Tommy would encounter Beam, and had shifted in my mind from level four to level eight.  At the last moment I decided that it would be really odd for Lauren and Beam to have adopted the same day/night schedule, so I decided that the girls would be having dinner at the point where Beam was going to stop for lunch.  That meant an odd numbered level, and I went with level nine.  Lauren still has to decide to travel with Beam, which I’ll have to work out in the next chapter.

It was sort of a last minute decision to have Tommy in the hall when Beam arrived.  I had long known that when the confrontation occurred Lauren could easily raise her psionic shield (she doesn’t know absolutely that it would work, but it has been reliable in the past), but by putting Tommy out of sight I prevented her from doing so immediately.


Chapter 140, Beam 112

I needed to bring the two groups together cautiously.  The notion that Tommy’s graffiti distracted Beam giving the girl the chance to get back to Lauren before the confrontation was kind of abrupt.

The idea that Beam suspected Tommy of being a ninja was abrupt but logical.  After all, Beam wouldn’t take someone along who didn’t contribute in some significant way, and he is a bit awed by Lauren’s powers so he assumes that Tommy must offer something significant to that.

The television reference is to a Tom Baker Doctor Who episode, The Ribos Operation in The Key to Time series, in which the Doctor identifies a young man as a thief and Romana (Romana 1) makes the comment about his honest face and gets that response.

I knew the kawanaga was a ninja weapon, but didn’t expect anyone to recognize it as such so soon–but Beam’s gaming experience would have meant that, like Lauren, he was exposed to such weapons, and the more so because he was a more serious gamer than she was.  Of course, he doesn’t really care if she’s a ninja for the reasons that matter in game, but rather because he thinks that if she is that gives her hidden skills of which to be wary.


Chapter 141, Takano 54

I put Lauren and Tommy on rear guard partly so they could talk about their relationship with Beam.  I moved into the concerns about the computer mostly for fill, but it had occurred to me before that Tommy’s computers might be infected by whatever was bringing down the central system, and I wanted that to occur to her.

At this point I thought I should shift to running the three viewpoint characters in turn, but I had already decided that as they approached the surface they were going to encounter more groups of people, and it kind of had to start with level eight and Beam had to be the front man for it.


Chapter 142, Beam 113

I had not intended to get involved in an effort to fix the main computer, and for plot reasons I know it’s going to fail, but once Tommy started asking about the system problems, which really was inevitable, it just naturally led to a consideration of whether they could be repaired.  The notion of obtaining a clean copy of the basic operating system by ordering a new computer was valid, but won’t work because of the auto update feature that’s been incorporated in more recent computers.

This chapter was supposed to be the confrontation with another tribe, and instead turned into the computer discussion.  I’m not sure how the confrontation is going to play, particularly as it looks as if it has to be done from Lauren’s perspective, and she’s in the rear.


Chapter 143, Hastings 228

I struggled with how to convey the population problem, but it actually worked better with Lauren deducing the problem than it would have with me trying to have Beam confront multiple groups of residents.

I sort of stumbled into the mattress store idea.


Chapter 144, Takano 55

Once I had the mattress store idea it was obvious that Tommy would lead the way to get there.  It also gave me more spotlight for her, making her a more significant part of the group, and probably also showing Beam that she contributed something to the team.


This has been the twenty-fourth behind the writings look at Re Verse All.  If there is interest and continued support from readers we will endeavor to continue with another novel and more behind the writings posts for it.

#406: Internet Racism

This is mark Joseph “young” blog entry #406, on the subject of Internet Racism.

I have previously written quite a bit about discrimination and racism, and about freedom of speech.  I deplore any expression of racism–but I have a lot of trouble with efforts to curtail it by stifling the right to express opinions.  Having read Ray Bradbury’s excellent book Fahrenheit 451 and assuming that all reasonably intelligent well-educated individuals have if not read it at least understood the message it conveyed, I assumed that at least among such people it would be recognized that any effort to stifle speech led directly to dystopian results.

British soccer player Marcus Rashford among those criticized for a missed penalty shot.

Yet it seems I was mistaken in this.

I recognized my mistake watching the British morning light news and talk show Good Morning Britain for July 13th, 2021.  Among the top stories was the unfortunate fact that when England had lost in a major soccer tournament (and I do not follow any sports and care little enough about them that I did not research many of the details) supposed fans went to major social media outlets and posted racist comments about some of the players who had missed critical shots.  The uproar is not exactly because they were criticized for missing shots, but because the criticism suggested that their failures were because they were persons of color.

O.K., that’s plainly stupid.  Maybe it’s an American thing, but blacks dominate many of our sports.  It would be racist to claim that they are naturally better at them (and actually the evidence suggests that it has more to do with their devotion to play at a young age).  Whoever these players are, they are good enough to have gotten on the British national team, and frankly they are inarguably better than any of their critics.  They missed a few shots; that happens.  The critics are displaying their own stupidity through their posts.

However, at least two social media platforms made a concerted effort to remove any posts containing racial slurs about the players as quickly as possible.  Yet the British media thinks this is not enough.  They want those who posted such statements identified and brought up on criminal charges.  They want it to be a crime to express an opinion that includes a negative attitude about race.

Let me turn your attention to Bradbury’s aforementioned book.

The story focuses on a near-term future world and a man who works for the fire department.  It is almost impossible for homes in the future to burn without some kind of accelerant, so there isn’t actually any work putting out fires.  That’s not their job.  Their job is to burn books, and since book lovers can be very devious in hiding books, they burn down the homes of anyone suspected of possessing such contraband.

What is significant for us, though, is how Bradbury imagines the world came to be that way.  The fact is, it is impossible to write anything meaningful that does not offend someone.  Recently books like The Chronicles of Narnia and The Lord of the Rings have been accused of racism.  As Bradbury suggests, if you write about mobsters you offend the Italians, if you write about cowboys you offend the Native Americans, if you write about Americans in space you offend the Russians (indeed, the second season of the original Star Trek television series added Pavel Chekov precisely because the Russians were offended that the entire multi-racial crew of The Enterprise had no Russians aboard).  Yet if everything offends someone, and we decide no one is to be offended by anyone, it becomes impossible to write anything beyond the palest pablum.

And so books become illegal because everything is offensive to someone.

Yet the British population wants to make it criminal to say anything via the internet that is offensive, at least to black athletes.  What, though, about offending Italians, or Spaniards, or whoever it was who beat the British team?  That’s also racist.  Offending white players is just as racist.  And before we know it, offending anyone becomes a criminal offense, and none of us can express an opinion about anything for fear that someone else might be offended.  If I say that a particular television show is trash which should insult the intelligence of two-year-olds (and I have said this), I have offended not only the creators of that show but its undoubtedly many fans who enjoy the show.  Yet if I say that a particular show is excellent and worth watching, I have offended those who find the show offensive for some reason.

The opinions of people who irrationally disdain persons who are different from themselves are not worth entertaining–but they are not worth suppressing, either.  They are not worth suppressing because once we do that we give someone power to decide what we are allowed to say.  Who do we want for our thought police?  The wealthy owners of the major social media networks?  Already I know people who have left Facebook and Twitter for MeWe, because the latter promises not to censor their posts.  Already I had a link to an article deleted from my Facebook page because someone (whom I suspect did not read the article) thought it was potentially offensive.

Remember the words of Justice Oliver Wendall Holmes, that “the ultimate good desired is better reached by free trade in ideas–that the best test of truth is the power of the thought to get itself accepted in the competition of the market….”  Remember, too, the words of Evelyn Beatrice Hall, “I disapprove of what you say, but I will defend to the death your right to say it.”  If you don’t want the thought police coming to arrest you for expressing your disagreement with someone, don’t empower them to do that now.

*****

Let me provide a few links to previous articles on the subject:

  • Freedom of Expression, a compilation of several previously published articles covering free speech, hate speech, racism, prejudice, and other related issues.
  • #135:  What Racism Is, an examination of the meaning of the word and how it is applied and misapplied.
  • #156:  A New Slant on Offensive Trademarks, anticipating the Supreme Court decision regarding whether an Asian-American band could trademark a name that was considered a derogatory moniker for Asians.
  • #194:  Slanting in Favor of Free Speech, sequel to that, giving the outcome and its implications, and also having much that is relevant to the question of free speech on the internet in connection with a related case.

#405: Versers Converge

This is mark Joseph “young” blog entry #405, on the subject of Versers Converge.

With permission of Valdron Inc I have previously completed publishing my first six novels, Verse Three, Chapter One:  The First Multiverser Novel, Old Verses New, For Better or Verse, Spy Verses, Garden of Versers, and Versers Versus Versers, in serialized form on the web (those links will take you to the table of contents for each book).  Along with each book there was also a series of web log posts looking at the writing process, the decisions and choices that delivered the final product; those posts are indexed with the chapters in the tables of contents pages.  Now as I am posting the seventh, Re Verse All,  I am again offering a set of “behind the writings” insights.  This “behind the writings” look may contain spoilers because it sometimes talks about my expectations for the futures of the characters and stories–although it sometimes raises ideas that were never pursued, as being written partially concurrently with the story it sometimes discusses where I thought it was headed.  You might want to read the referenced chapters before reading this look at them.  Links below (the section headings) will take you to the specific individual chapters being discussed, and there are (or will soon be) links on those pages to bring you back hopefully to the same point here.

There is also a section of the site, Multiverser Novel Support Pages, in which I have begun to place materials related to the novels beginning with character papers for the major characters, giving them at different stages as they move through the books.

This is the twenty-third mark Joseph “young” web log post covering this book, covering chapters 133 through 138.  It was suggested that more shorter posts were a better choice than fewer longer ones, so there will be posts every six chapters, that is, every other week, for this book.  Previous entries were:

  1. #354:  Versers Reorienting, covering chapters 1 through 6;
  2. #355:  Versers Resettling, for chapters 7 through 12.
  3. #357:  Characters Connect, for chapters 13 through 18.
  4. #359:  Characters Engage, for chapters 19 through 24.
  5. #361:  Characters Explore, for chapters 25 through 30.
  6. #364:  Characters Learn, for chapters 31 through 36.
  7. #365:  Characters Travel, for chapters 37 through 42.
  8. #367:  Versers Encounter, for chapters 43 through 48.
  9. #370:  Characters Confront, for chapters 49 through 54.
  10. #373:  Nervous Characters, for chapters 55 through 60.
  11. #376:  Characters Arrive, for chapters 61 through 66.
  12. #379:  Character Conundrums, for chapters 67 through 72.
  13. #381:  World Complications, for chapters 73 through 78.
  14. #383:  Character Departures, for chapters 79 through 84.
  15. #385:  Characters Ascend, for chapters 85 through 90.
  16. #388:  Versers Climb, for chapters 91 through 96.
  17. #390:  World Facilities, for chapters 97 through 102.
  18. #392:  Characters Resting, for chapters 103 through 108.
  19. #395:  Character Obstacles, for chapters 109 through 114.
  20. #397:  Verser Challenges, for chapters 115 through 120.
  21. #401:  Characters Hiking, for chapters 121 through 126.
  22. #403:  Versers Innovating, for chapters 127 through 132.

History of the series, including the reason it started, the origins of character names and details, and many of the ideas, are in earlier posts, and won’t be repeated here.

Chapter 133, Takano 52

I’m hoping the graffiti will be something different for the reader.  The discussion of attacks and blocks has given me a problem, though, because it’s obvious to me that Tommy would see she could order a weapon from the computer even though it wouldn’t occur to Lauren, and I’m facing the perennial problem that if Lauren teaches Tommy to fight with the same weapon Lauren uses, Tommy will fight like Lauren and my stories will be more the same.


Chapter 134, Beam 109

I had mentally created two disruptions for Beam, and having two trucks going opposite directions was one of them.  I was not certain I wouldn’t lose someone, but I played it out and managed what I think was a moderately tense scene.

It was also a bit of a tricky scenario to envision, and I wound up re-writing because I believed I had the ascending and descending trucks reversed in one paragraph–the descending truck had to pass behind the ascending truck, which had moved out of the lane, and the ascending truck had to return to its left.  I was still making corrections the day I released it.  Anyway, I hope that’s correct.


Chapter 135, Hastings 226

I had been struggling over the question of how to keep Tommy from becoming a Lauren clone, and pulled out my old Advanced Dungeons & Dragons Oriental Adventures book.  I quickly found the kawanaga, and liked it immediately–it was similar enough in name that Tommy could have ordered it by mistake, and it was a flex weapon similar enough to the kau sin ke that Lauren would be able to adapt her techniques to it while different enough that it couldn’t do everything Lauren did but could do quite a few things she couldn’t.  I ran it past Kyler, who agreed that it was exactly the sort of thing he was thinking.

The recollection that Lauren was “into” horses as a girl suggested to me that she probably had handled a lariat at some point, and throwing a grapple is undoubtedly easier, so she could adapt some of those techniques to explain why she was able to use the rope weapon so readily.


Chapter 136, Beam 110

For a while I had in my head that one of the events in the Beam pilgrimage would have to be encountering another large group.  This was that.  I did not know how it would go, but felt my way through it.


Chapter 137, Takano 53

Lauren and Tommy are about to connect with Beam, but I wanted to create the feel of multiple days of travel and practice before they did.


Chapter 138, Beam 111

I had managed to bring Beam up far enough that it was time for him to intersect with Lauren.  The discussion of why he was unaware of her approach but Dawn wasn’t I thought obvious and straightforward.

I intentionally misspelled the name of the other group leader because it would reflect the fact that Beam didn’t care.


This has been the twenty-third behind the writings look at Re Verse All.  If there is interest and continued support from readers we will endeavor to continue with another novel and more behind the writings posts for it.

#404: The Song “Love’s the Only Command”

This is mark Joseph “young” blog entry #404, on the subject of The Song “Love’s the Only Command”.

This is another early one.  I remember playing it for Dennis Mullins when I was in high school–well, Dennis is another story.

It happens that our mothers were friends, but I don’t think either of us knew that back then.  He was probably half a dozen years older than I, out of high school as I was getting in, and he played in a popular local rock band.  I never heard them back then, but I saw posters for Some Other Animal, with the four of them wearing furs.  They signed with Epic Records, I’d wager around 1971 or 72, changing their name to Rock Garden, and then with the Jesus Movement sweeping through, Dennis became a Christian and didn’t want to do that music anymore.  Well, I could tell you how it spread, but within a couple months Rock Garden was playing some really good multiple-vocal Christian pop-rock at the local coffeehouse and elsewhere.

But I have to roll this back a bit.

I was probably a freshman or sophomore, and sometimes I would walk home from school rather than take the bus or get my mother to drive me.  Probably most of the shorter ways for me to get home took me past his house, and one day as I was passing I heard him plunking on the piano, and was intrigued, so I walked up to the house and positioned myself on the front stoop to listen.  He was downstairs, I think it must have been a split, but he suddenly realized someone was on the front porch, and he was swiftly up the stairs (tall and lanky) and asking me, politely, what I wanted.  I explained that I’d heard him playing and just wanted to listen, which was apparently fine with him, and I didn’t stay much longer.  But I didn’t know who he was then.

So all of that stuff previously mentioned happens, and now I’m a fan of the band, but also writing my own music, and I wrote this song, Love’s the Only Command.  For what it’s worth, I still think that the vocals on it are very like something Rock Garden would have done.  So I went over to his house, must have taken my guitar, and told him that I’d written a song I thought his band could do.  He listened; he liked it.

He did ask whether they could change the words to “open the door”, “because that’s what He said.”  “He said both,” I responded, and he kind of shrugged.

I’d like to say that Rock Garden sang my song at Carnegie Hall, but no, they never sang it.  I’m not even sure why not.  I hope it wasn’t because he thought I was arguing about the lyrics.  But The Last Psalm did it, and it might even have been our signature song.

As to Dennis, Rock Garden did sing at Carnegie Hall, the same night that Danny Taylor and Andre Crouch recorded live albums there.  Then the following week they performed one more local concert, and broke up.  Drummer Peter Hopper went to the Love Inn and worked with people like Phil Keaggy and Ted Sandquist.  Dennis had a solo career including recording a song for Mother Teresa.  Our paths crossed at least once, at some kind of reception I attended where he was playing.

Decades later I gave the members of Collision copies of about thirty-seven songs, and said if there was anything on the CDs they thought we should do, let me know.  Jonathan picked this one.  So Collision learned it, and performed it a few times.  I have to laugh, really, because it will quickly become apparent that all three verses have the same words; I thought it was sufficient variation to keep raising the complexity of the vocals.  But Jonathan asked if we could change the words to the last verse.  Then when it was too late, I remembered Dennis, and thought gee, we could make the last verse “open the door.”  But we never did.

This recording is another of the four vocals over midi instruments mp3s I did when Jessie Oldham asked me to get her a recording of Last Psalm music.  Parts of Ruthann (Mekita)’s high soprano are covered by a midi trumpet.  To this day, a few that remember those days refer to her part on the chorus as “the moose call” and tease me for my vocal arrangement there.

I remember in a Collision rehearsal, one of the early shots at this song, I told drummer Nick that on the last verse the chorus gets quiet right after I sing “scream and shout it”.  When we finished the run-through, he told me I was wrong–I had forgotten that I sing those words twice in that verse, once in the middle and again at the end.  Ah, well.  I can’t always be right.

Love’s the Only Command.

So here are the lyrics.

Haven’t you noticed miracles happen ev’ry day?
Don’t you know Jesus is the only way?
Jesus Himself said, “I am the door.”
And if we follow Him, we’ll know what it’s all for.

Jesus can be your friend.
He’ll be true to the end.
You know God understands.
Love’s the only command.

Haven’t you noticed miracles happen ev’ry day?
Don’t you know Jesus is the only way?
Jesus Himself said, “I am the door.”
And if we follow Him, we’ll know what it’s all for.

Jesus can be your friend.
He’ll be true to the end.
You know God understands.
Love’s the only command.

I’m gonna preach about it,
Teach about it,
Sing about it,
Scream and shout it.

Jesus can be your friend.
He’ll be true to the end.
You know God understands.
Love’s the only command.

Haven’t you noticed miracles happen ev’ry day?
    (I’m gonna preach about it)
    (I’m gonna teach about it)
Don’t you know Jesus is the only way?
    (I’m gonna sing about it)
    (I’m gonna scream and shout it)
Jesus Himself said, “I am the door.”
    (I’m gonna preach about it)
    (I’m gonna teach about it)
And if we follow Him, we’ll know what it’s all for.
    (I’m gonna sing about it)
    (I’m gonna scream and shout it)

Jesus can be your friend.
He’ll be true to the end.
You know God understands.
Love’s the only command.

Jesus can be your friend.
He’ll be true to the end.
You know God understands.
Love’s the only command.

I can only hope you benefit from the song in some way.  I will continue with additional songs in the future.

*****

Previous web log song posts:

#301:  The Song “Holocaust” | #307:  The Song “Time Bomb” | #311:  The Song “Passing Through the Portal” | #314:  The Song “Walkin’ In the Woods” | #317:  The Song “That’s When I’ll Believe” | #320:  The Song “Free” | #322:  The Song “Voices” | #326:  The Song “Mountain, Mountain” | #328:  The Song “Still Small Voice” | #334:  The Song “Convinced” | #337:  The Song “Selfish Love” | #340:  The Song “A Man Like Paul” | #341:  The Song “Joined Together” | #346:  The Song “If We Don’t Tell Them” | #349: The Song “I Can’t Resist You’re Love” | #353:  The Song “I Use to Think” | #356:  The Song “God Said It Is Good” | #362:  My Life to You | #366:  The Song “Sometimes” | #372:  The Song “Heavenly Kingdom” | #378:  The Song “A Song of Joy” | #382:  The Song “Not Going to Notice” | #387:  The Song “Our God Is Good” | #393:  The Song “Why” | #399:  The Song “Look Around You”

Next song:  Given You My Name